25 347 безкоштовних аудіофайлів для "Audio Files Of Music Theory And Analysis"

Wagner, Tristan, Liebestod closing bars

Chopin Prelude No. 15, bars 28-29

Chopin Fantaisie in F minor, Op.49

Wagner Sleep music from Act 3 of Die Walkure

Mahler Symphony No. 10 Adagio bars 201-213

Debussy la Fille aux cheveux de lin, opening bars

Debussy, La Fille aux cheveux de lin, bars 26-29

Wagner, Gotterdamerung, transition between the end of the Prologue and Act 1 scene 1

The closing bars of String Quartet in E flat, Op. 33 by Haydn

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Mozart Minuet in F K5

Mozart piano sonata K332 excerpt

From Bach chorale, Wachet auf

Presto from Quartet Op. 130

Don Giovanni, Overture bars 85-99

Mozart Romanze from Piano Concerto 20

Mozart Symphony 41, finale, fugal passage

Don Giovanni Overture bars 77-80

Bach Toccata in F deceptive cadence

Mozart Piano Concerto K482, opening bars

Beethoven Symphony No 6, fourth movement, bars 3-8

Mozart Trio from Wind Serenade K388

Symphony IV canonic passage from the 1st movement

Mozart, from Piano Sonata K310, first movement

Mozart, from Piano Concerto No. 21, K465

Beethoven's retrograde version of his fugue subject (Hammerklavier Sonata)

Beethoven Appassionata Sonata 3, final bars of andante

String Quartet no. 19 in C major, K. 465 (“Dissonance”) opening

Leonora no. 3, overture, bars 69-76

Mozart Minuet from Trio K498, bars 94-100

Don Giovanni Overture bars 133-141 reduced score

Don Giovanni Overture bars 133-141 violins and bass only

Mozart, Symphony 41, finale, bars 190-199Mozart, Symphony 41, finale, bars 190-199

Symphony No. 6, fourth movement, bars 146-155

Piano Sonata, op. 111, first movement concluding bars

Dissonance in Mozart's Adagio and Fugue in C minor, K. 546

Mozart Jupiter Finale, bars 389-396

Hendrix chord.

Symphony No. 5, first movement, bars 195-227

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

From Berlioz, Queen Mab scherzo

Berlioz, Queen Mab Scherzo, opening bars

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

Mahler, Symphony No. 6, Scherzo, Figure 55, bars 5-12

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound of steel chisel (tritone)

Sound of steel chisel 8th (octave)